Auguste Mariette Excavation Methods Essay Example

Auguste Mariette Excavation Methods Essay Example Auguste Mariette Excavation Methods Paper Auguste Mariette Excavation Methods Paper Mariette’s research methods were made easy as he had an ability to interpret practically anything. His ability to decipher hieroglyphics and codes led him to many discoveries. An example of the use of Coding in his excavation is the tablet which lay near the Sphinx. This tablet had the path to the Temple of Serapeum but in hieroglyphics. Mariette deciphered the text and discovered one of the most sought for sites in the history of archaeology. Auguste Mariette’s excavation methods in clearing the site were inconsistent in terms of whether they were good or bad but most of his methods were well done. Some of his attempts of clearing the site were somewhat crude whereas other attempts were reasonably well done. In ‘The Monuments of Upper Egypt’, written by Auguste Mariette in 1877, Mariette states â€Å"In blowing up the debris with gunpowder, we discovered a human mummy†. This primary source is evidence of the crude methods of his attempts of clearing a site. The expression ‘blowing up’ suggests that he was reckless. The blowing up method was used in his first discovery, so this question arises, was this reckless clearing method due to inexperience? Mariette did, however, clear the sands around the Sphinx down to the bare rock, and in the process discovered the famous granite and alabaster monument. This showed a different side of Mariette in terms of clearing a site. This time, Mariette cleared the site thoroughly. Furthermore, Mariette hired quite a few workmen in his excavations. This showed his dedication to the discoveries he made. Auguste Mariette located his first excavation site by chance. He became interested in Saqqara whilst studying Egyptology and this attraction led him to the ancient burial ground in Egypt. This is where he discovered the Sphinx, Serapeum and other tombs and temples. It was not his intention to discover these ancient monuments but by chance, things turned out pretty well for him. Mariette examined thoroughly through the tombs and temples. Evidence of his thorough work is shown in his writings, ‘The Monument of Upper Egypt’ where he states, â€Å"†¦and where the ground had to be examined closely, inch by inch†. In the process of recording his evidence, Mariette plotted down a lot of his findings in his journal. He used very detailed profiles and drawings to record the evidence. Figure 1 aside shows a drawn diagram of the Serapeum featured in ‘The Cemetery of the Sacred Bulls’ written by Auguste Mariette. This was drawn during the excavations of the Serapeum and shows a record of the outline of the structure of the Serapeum. An example of the detailed profiles Mariette used to record his evidence is Figure 2 on the right. This evidence is a torn out page of Auguste Mariette’s journal in which he wrote in during his excavations in Saqqara. This shows the profile of the Sphinx and the dimensions of the head of the Sphinx recorded by Mariette. Another example of the detailed recordings of Mariette is stated in ‘The Cemetery of the Sacred Bulls’. In his words, â€Å"measure on an average 7 feet 8 inches in breadth, by 13 feet in length, and 1l feet in height†. This is more evidence of his detailed recordings of his discoveries. It shows that he took the time to measure every dimension of objects he found in his excavations. Bibliography: mnsu. edu/emuseum/information/biography/klmno/mariette_auguste. html http://en. wikipedia. org/wiki/Auguste_Mariette drshirley. rg/rel433/hist. html egyptologyonline. com/egyptologists. htm http://weekly. ahram. org. eg/2004/705/he1. htm 1911encyclopedia. org/Auguste_Ferdinand_Francois_Mariette http://server. egypt. com/egypt/historyen/index. php/Ancient-Egypt-History/Ancient-Egypt-Dynasties/Third-Intermediate-Period-Part-I http://members. tripod. com/~ib205/apis_4. html aldokkan. com/geography/serapeum. htm phouka. com/pharaoh/egypt/history/egyptologists. html â⠂¬ËœEgypt and the Egyptians’ by Douglas J. Brewer and Emily Teeter

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Frederic Chopin, the Polish composer and pianist, was born on March 1,1810, according to the statements of the artist himself and his family, but according to his baptismal certificate, which was written several weeks after his birth, the date was 22 February (Huneker, 2). His birthplace was the village of Zelazowa Wola, part of the Duchy of Warsaw. The musical talent of Frederic became apparent extremely early on, and it was compared with the childhood genius of Mozart (Marek, 23). Already at the age of 7, Frederic was the author of two polonaises, the first being published in the engraving workshop of Father Cybulski. The prodigy was featured in the Warsaw newspapers, and little Chopin became the attraction and ornament of receptions given in the aristocratic salons of the capital. He also began giving public charity concerts. His first professional piano lessons lasted from 1816 to 1822, when his teacher was no longer able to give any more help to a pupil whose skills surpassed his own (Seroff, 19). Wilhelm WÃ ¼rfel, a renowned pianist and professor at the Warsaw Conservatory, supervised the further development of Frederic’s talent. WÃ ¼rfel would offer valuable, although irregular, advice as regards playing the piano and organ to young Chopin (Marek, 51). Frederic later attended the Warsaw Lyceum where his father was one of the professors. He spent his summer holidays in estates belonging to the parents of his school friends in various parts of the country. The young composer listened to and noted down the texts of folk songs, took part in peasant weddings and harvest festivities, danced, and played a folk instrument resembling a double bass with the village musicians; all of which he described in his letters. Chopin became well acquainted with the folk music of the Polish plains in its authentic form, with its distinct tonality, richness of rhythms and dance vigor (Huneker, 41). When composing his first mazurkas in 1825, as w... Free Essays on Chopin Free Essays on Chopin Frederic Chopin, the Polish composer and pianist, was born on March 1,1810, according to the statements of the artist himself and his family, but according to his baptismal certificate, which was written several weeks after his birth, the date was 22 February (Huneker, 2). His birthplace was the village of Zelazowa Wola, part of the Duchy of Warsaw. The musical talent of Frederic became apparent extremely early on, and it was compared with the childhood genius of Mozart (Marek, 23). Already at the age of 7, Frederic was the author of two polonaises, the first being published in the engraving workshop of Father Cybulski. The prodigy was featured in the Warsaw newspapers, and little Chopin became the attraction and ornament of receptions given in the aristocratic salons of the capital. He also began giving public charity concerts. His first professional piano lessons lasted from 1816 to 1822, when his teacher was no longer able to give any more help to a pupil whose skills surpassed his own (Seroff, 19). Wilhelm WÃ ¼rfel, a renowned pianist and professor at the Warsaw Conservatory, supervised the further development of Frederic’s talent. WÃ ¼rfel would offer valuable, although irregular, advice as regards playing the piano and organ to young Chopin (Marek, 51). Frederic later attended the Warsaw Lyceum where his father was one of the professors. He spent his summer holidays in estates belonging to the parents of his school friends in various parts of the country. The young composer listened to and noted down the texts of folk songs, took part in peasant weddings and harvest festivities, danced, and played a folk instrument resembling a double bass with the village musicians; all of which he described in his letters. Chopin became well acquainted with the folk music of the Polish plains in its authentic form, with its distinct tonality, richness of rhythms and dance vigor (Huneker, 41). When composing his first mazurkas in 1825, as w...